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THE CYCLICAL NIGHT by Nicolette Wong

2/23/2011

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Picture
Her stiletto heels are drawing music on the cyclical night. That’s all she cares about—even as her husband weeps in a reclining chair, his accusations like a ghost wind blowing through their soon-to-be vacant apartment. As she speaks she breathes life into space again, leaving behind the moment when she thought herself pregnant: the panic, the fear of confinement and guilt over the phantom fetus growing in her womb. A throbbing life one had to take responsibility for, a life born out of a marriage without love. How could she—or anyone else—bear such cruelty?

‘The baby never existed. It was a mistake,’ she says. He doesn’t believe her. Years have passed; he still fails to taste the wildness in her smile. No, she doesn’t lie. She has only willed herself to live a promise she made, in her youthful days, until the phantom fetus came calling: ‘Come and sign our freedom away.’

Her man trails on, haggard and stunned. He stares out of the windows as if the drama would pass with the next hurricane. But the roof of their domesticity is shaking, ready to be blown away along with other houses in their neighborhood. All is growing fainter at the end of the road where an accordion is playing: her future.

‘This is what we’ve come down to,’ he says.

‘We’re not responsible,’ she says. LS

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INJURED PARTY by Peter Schwartz

2/17/2011

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A flare gun is the safest form of hello but goodbyes are even safer.  You don't see it but your closeness is a weapon you use against me, mostly at night when it's easier to blink and pretend anything didn't just happen.   I fire a warning shot at your throat but it's invisible.  We're invisible.  This is why we fight, for the blush of anything at all. 

I could reach into your pocket and take money for breakfast and you wouldn't even notice.  If you could and did, you'd bite me and I'd be your little meal.  No problem.  I've been giving myself up in tiny bits for so long it's really all I know how to do.  I fire another shot, this time aiming right between your eyes, but it fizzles.

Later, you finger my ass in the dark and tell me it's okay.  But it's not.  Even invisible it's not.  Knowing god's probably on another continent somewhere, I plead: I'll cook you an incredible dinner tomorrow night if you stop.  You consider my offer.  “Nah, I'm not hungry,” you reply, moving a little faster.  LS

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BOONE'S FARM by Robert Vaughan

2/6/2011

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Picture
There’s no wind, and the sun is just pressing, flittering through the clouds, screaming down the courtyard. Lawnmower man returns, as he often does. He wants to block our vocal abilities, wants to drown our conflicts and squelch surprise endings.

Wants to mow the very same section as yesterday, repeating, like a drone, an ant.
We watch as he mows, a slow-motion target on an artillery range. Mows the hot shame from our loins. Watch as he gets smashed on Boone’s Farm, rams the building, falls to his right side. LS


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    Fiction 2

    "If the truth be told, I'd rather hear a story."
                 --author unknown


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